What Has Happened To The Turks Who Were On Their Way To Attack Cyprus Othello?

What happens to the Turkish fleet on its way to Cyprus?

The Turkish fleet is destroyed in a storm, while Cassio and then Desdemona, Emilia, and Iago arrive safely at Cyprus. Desdemona anxiously waits for Othello. When his ship arrives, he and Desdemona joyfully greet each other.

What became of the Turkish fleet that was sailing to attack Cyprus?

What became of the Turkish fleet that was sailing to attack Cyprus? It sank in a storm. Upon arrival in Cyprus, Iago observes a behavior in Cassio that he plans to exploit.

What has happened to the Turkish fleet Where is Othello?

Act 2 begins at a seaport in Cyprus. Terrible storms are at sea as the Venetian ships arrive. What happened to the Turkish fleet? They were seperated and completely destroyed by the tempests at sea because they were not bayed and sheltered.

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What happens to the threat of a Turkish invasion of Cyprus in Othello?

Terms in this set (10) What happens to the threat of the Turkish invasion of Cyprus? The turks are destroyed by a storm before they could even get to Cyprus. Montano was glad because he believes Othello is worthy & able to govern Cyprus.

Who does Cassio stab?

Cassio stabs and wounds Roderigo. Iago darts out in the commotion, stabs Cassio in the leg, and exits.

What does Cassio do when Emilia and Desdemona arrive in Cyprus?

How does Cassio greet Emilia and Desdemona, and how do they respond? Cassio greets Emilia and Desdemona with great courtesy and he is very happy that they arrived safely at Cyprus. He especially praises Desdemona and flirtatiously kisses Emilia in front of Iago.

Why does Roderigo want to drown himself?

Why does Roderigo want to drown himself? He lays out his plan to cheat Roderigo out of his money, to convince Othello that Cassio has slept with Desdemona, and to use Othello’s honest and unsuspecting nature to bring him to his demise.

Why does the Duke want to speak with Othello?

The duke gives Othello the chance to speak for himself. Othello admits that he married Desdemona, but he denies having used magic to woo her and claims that Desdemona will support his story. The duke decides that Othello must go to Cyprus to defend the island from the Turks.

Why does Iago hate the Moor?

Iago gives several reasons for his hatred of Othello. He says that he hates Othello because Othello passed him over for a promotion to lieutenant, choosing Cassio, who he claims is much less qualified, instead of him.

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Why does Cassio kiss Emilia?

Cassio welcomes Desdemona and Emilia—flirtatiously kissing Emilia. Iago quips that if Emilia would kiss Cassio’s lips as deftly as she whips him (Iago) with her tongue, Cassio would be over her quickly. As Iago mocks his wife for being a nag, Desdemona tries to defend her. Desdemona then asks Iago his opinion of women.

Why does Iago urge Cassio to drink to Othello?

Why does Iago urge Cassio to drink to Othello? Iago urges Cassio to drink to Othello so that he would get drunk and stir up commotion with the other drunk guards. When Cassio enters chasing Roderigo, Montano tries to restrain him which leads to Cassio fighting Montano.

What is the breaking news about the Turkish fleet?

What news do we get of the Turkish fleet? They were destroyed and their ships sunk.

Why do the Venetians and Ottomans both want Cyprus?

The Venetians profited from the island’s production of exports like sugar, cotton, and wine, and they had a longstanding arrangement with Egyptian rulers who protected Venetian interests on the island from Ottoman invaders. Cyprus therefore became the natural focus for subsequent Ottoman expansion.

What does Cyprus symbolize in Othello?

Ironically, Cyprus was also revered as the birthplace of Venus Aphrodite, the goddess of love, who was reputedly born in ocean foam and washed ashore near Nicosia. Inspired by this amorous deity, Cyprus provides the perfect location for Iago to convince Othello of his wife’s sexual infidelity.

Is Othello a Turk?

When, at the end of the play, Othello views himself as a Turk, he ratifies European perceptions of the treacherous and destructive Mus- lim Other at the same time that he draws the audience’s attention to the religion of the Other to which both Turk and Moor are historically and culturally linked.

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